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A Thin Line Between Love and Hate
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A Thin Line Between Love and Hate

Description
An observable, fast-talking party man Darnell Wright, gets his punishment when one of his conquests takes it personally and comes back for revenge forcing Darnell to see the error of his ways and ultimately learning to stop trying to be 'the' man and become 'a' man.
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CREATORS OF "A Thin Line Between Love and Hate"
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HEROES OF "A Thin Line Between Love and Hate"
A Thin Line Between Love and Hate
CRITICS OF "A Thin Line Between Love and Hate"
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Filmcritic.com

May 28, 2002

Any movie with a bar called Chocolate City can't be all bad, right?
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Film4
Resource

August 12, 2009

Tiresome stuff, bearable only if you can overlook the questionable premise and find something to like in Lawrence's Eddie Murphy-lite turn.
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New York Times

May 20, 2003

Too serious to be a comedy, too flippant to be a thriller, it often feels like a backhanded act of penance for the misogynist humor in the star's comedy act.
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San Francisco Examiner
Resource

January 01, 2000

[Lawrence] doesn't seem to know that his protagonist is a deceptive, frivolous, fast-talking and surprisingly stupid womanizer.
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San Francisco Chronicle
Resource

June 18, 2002

[Lawrence is] a charming, gifted comic with a killer smile, but he's way out of his depth in this Fatal Attraction knockoff, which he also co-wrote and stars in.
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TV Guide
Resource

August 12, 2009

A thin line? Not in this case.
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Variety

March 26, 2009

Sluggishly paced and too seldom funny...
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TheMovieReport.com
Resource

January 12, 2004

A ponderous vanity project that is unfunny and, worst of all, just plain boring.
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USA Today

January 01, 2000

A Thin Line Between Love and Hate takes its name from the Persuaders 1971 hit that has been re-recorded by the Pretenders, Annie Lennox and H-Town. You could have just as much fun simply playing one of them and skipping the movie.
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Boxoffice Magazine
Resource

June 05, 2002

In showing the importance of monogamy, the film is profound enough that it could lead couples to reevaluate themselves; women will look at their new men a bit more quizzically, and men will be less likely to say "I love you" unless they mean it.
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Time Out
Resource

February 09, 2006

The script lacks wit and depth, while Lawrence's direction is meandering and undramatic, full of showy, over-elaborate camera movements.
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ReelViews
Resource

January 01, 2000

The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength.
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