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Alien
CRITICS OF "Alien"
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New Times
Resource

June 30, 2015

Bloody brilliant.
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Georgia Straight
Resource

May 04, 2016

There have also been digital restorations and improvements to the original film's negative and sound mix, but the best thing about this rerelease is simply the opportunity to see the awesome Alien in theatres again.
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Time Out
Resource

November 17, 2011

The limited strengths of its staple sci-fi horrors always derived from either the offhand organic/ Freudian resonances of its design or the purely (brilliantly) manipulative editing and pacing of its above-average shock quota.
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Baltimore Sun
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June 30, 2015

Still one of the creepiest, scariest, most shocking films ever.
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Seattle Times
Resource

October 28, 2011

The most startling thing watching Alien again is its pacing. For the first 45 minutes, little happens. It's all slow, exquisite build-up, which makes the second half seem all the more horrific.
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Cinéfiloz
Resource

May 17, 2017

A horror masterpiece that doesn't age at all because its main theme is the fear of the unknown and that's one of the deepest fears. [Full review in Spanish]
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New York Daily News
Resource

May 25, 2016

This is a screamingly spooky sci-fi tale with more than a few echoes of "The Thing" but echoes which enhance rather than detract.
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The Spectator
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June 30, 2015

It's tempting to describe the brilliantly staged scenes of horror and surprise but it would be a shame not to allow the film to reveal its own secrets, enough to say that the tension is savage and you are held in suspense right up to the end frames.
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TIME Magazine
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October 22, 2010

It is depressing to watch an expensive, crafty movie that never soars beyond its cold desire to score the big bucks.
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Daily Telegraph (UK)
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June 30, 2015

A sci-fi thriller of palpable, nerve-tingling tension, with Sigourney Weaver -- playing warrant officer Ellen Ripley -- in stunning form.
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Globe and Mail
Resource

June 30, 2015

Seen again a quarter-century later, we marvel at how the filmmaker generates so much tension and sweat with a bare minimum of moving parts.
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Time Out
Resource

August 16, 2007

The limited strengths of its staple sci-fi horrors always derived from either the offhand organic/ Freudian resonances of its design or the purely (brilliantly) manipulative editing and pacing of its above-average shock quota.
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