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Anywhere But Here

Description
A single mother and daughter search for success in Beverly Hills. But when the daughter pursues her dreams there, she starts to grow frustrated with her mother's irresponsible and impulsive ways.
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DIRECTORS OF "Anywhere But Here"
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HEROES OF "Anywhere But Here"
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CRITICS OF "Anywhere But Here"
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Film Quips Online
Resource

February 08, 2003

Natalie Portman is my new hero.
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Reeling Reviews
Resource

April 09, 2005

Director Wayne Wang has delivered a solid entertainment, particularly for women, with Anywhere But Here.
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Minneapolis Star Tribune
Resource

November 06, 2002

The movie drops in on a crucial part of their lives, follows it for a few minutes and then jettisons to another episode. It's like watching 10 short stories.
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Entertainment Today
Resource

January 16, 2003

The title might very well be an appropriate description of what more impatient filmgoers may be feeling after sitting through this frustratingly mediocre dramedy.
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Globe and Mail
Resource

March 19, 2002

Susan Sarandon and Natalie Portman put on an acting clinic that's a treat to watch, but, no matter how accomplished, a clinic is not a movie. They do a lot with a little, yet it's far from enough.
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Common Sense Media

December 22, 2010

Solid story of independence for teens.
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Time Out
Resource

June 24, 2006

Portman is excellent, balancing wisdom and petulance, loyalty and imposition...
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Jam! Movies

June 07, 2004

Adele and Ann are not easy screen characters to like, but they are easy to believe in -- especially in the skins of Sarandon and Portman.
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Rolling Stone

May 11, 2001

You start wishing you were anywhere but here -- preferably at last year's far funnier Slums of Beverly Hills.
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Jam! Movies

June 07, 2004

A subtle and unexpected pleasure, all nuanced performance and character detail.
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Variety

January 02, 2006

As a depiction of a loving-turbulent relationship between a single mom (Susan Sarandon) and her rebellious teenage daughter (Natalie Portman), Wang's meller is nicely crafted but old-fashioned like Hollywood's weepies of yesteryear.
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New York Magazine/Vulture

January 01, 2000

Adele and Ann don't really seem like mother and daughter; their conflicts are more a matter of theatrical convenience than something born in the blood.
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