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Charlie Bartlett

Description
A rich kid becomes the self-appointed psychiatrist, dispensing therapeutic advice and prescription drugs to the student body at his new high school in order to become popular.
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DIRECTORS OF "Charlie Bartlett"
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CREATORS OF "Charlie Bartlett"
Charlie Bartlett
CRITICS OF "Charlie Bartlett"
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Entertainment Insiders
Resource

October 18, 2008

Charlie Bartlett plays it too safe.
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Times-Picayune
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September 04, 2009

There are sweet moments, and there are funny moments, but it all just becomes so eye-rollingly calculated that it's hard to appreciate.
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Toronto Star
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February 22, 2008

The characters remain halfway between genuine comic creations and realistic individuals, and the whole narrative feels artificial, stuck in the tension between being a morality play and a freewheeling comedy.
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San Francisco Chronicle
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February 22, 2008

Those waiting for the arrival of the next Juno may want to skip Charlie Bartlett, a relentlessly earnest teen film about a 17-year-old misfit who's been tossed out of one prep school after another for bad behavior.
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East Bay Express
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April 28, 2011

Writer Gustin Nash and director Jon Poll have their Ferris Bueller thing working perfectly, with a few 2008 wrinkles.
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Wall Street Journal
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February 22, 2008

The movie as a whole is a sweet pill to swallow.
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Guardian
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October 18, 2008

The promising themes peter out as the film loses direction, though, and Bartlett is neither sympathetic enough to root for nor dumb enough to laugh at.
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Orlando Sentinel

February 22, 2008

Imagine an R-rated Ferris Bueller with only the most annoying parts of the younger Matthew Broderick's screen persona emphasized and you'll draw a bead on Bartlett.
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San Diego Metropolitan
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October 18, 2008

Lightweight fare, but a pleasant outing.
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USA Today
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February 22, 2008

Charlie Bartlett is a refreshingly entertaining character study that refuses to dumb down its youthful cast or bury their concerns in service of a catchy soundtrack.
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AV Club

February 22, 2008

Watching Charlie Bartlett only makes Wes Anderson's work seem more accomplished by comparison, because it underscores that thin line separating the agreeably fanciful from the overbearingly precious.
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