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Dangerous Minds
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Dangerous Minds

Description
An ex-marine, Louanne Johnson, who has been divorced recently, struggles against earning her livings, the thing that leads her friend to bring a temporary job for her as a high school teacher, where she struggles against dealing with the arrogant students, but she intelligently, manages to win their trust.
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Dangerous Minds
CRITICS OF "Dangerous Minds"
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eFilmCritic.com

July 27, 2002

Platitudes, cliches, stereotypes, and ... oh yeah, a soundtrack!
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eFilmCritic.com
Resource

March 08, 2004

So whitebread I want to call everyone involved 'Urkle'.
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Washington Post
Resource

January 01, 2000

If only the filmmakers had used some subtlety in telling the story, they could have done right by the real LouAnne Johnson.
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San Francisco Examiner
Resource

January 01, 2000

Hackneyed, obvious and Lite, complete with happy ending.
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Washington Post
Resource

January 01, 2000

Pfieffer is absurdly miscast: Sly Stallone would make a more plausible Mr. Chips than the frail, squeaky actress does a nine-year veteran of the Marine Corps.
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TheMovieReport.com
Resource

December 26, 2006

None of it rings the slightest bit true; all of it insults the intelligence.
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Rolling Stone

May 12, 2001

Pfeiffer gives a funny, scrappy performance that makes you feel a committed teacher's fire to make a difference.
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Juicy Cerebellum

June 11, 2003

Horrible. A waste. How was this ever a hit?
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Film.com

January 01, 2000

Stay home and watch Welcome Back Kotter. It's more enlightening.
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Spirituality and Practice
Resource

August 28, 2002

Inspiring portrait of an inner city teacher who discovers that making students feel good about themselves brings learning alive in the classroom.
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Los Angeles Times
Resource

February 13, 2001

The tale screenwriter Ronald Bass came up with, and the way director John N. Smith tells it, is stereotypical, predictable and simplified to the point of meaninglessness.
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Chicago Sun-Times
Resource

January 01, 2000

The movie pretends to show poor black kids being bribed into literacy by Dylan and candy bars, but actually it is the crossover white audience that is being bribed with mind-candy in the form of safe words by the two Dylans.
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