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Dawn of the Dead (1978)

Description
The story takes place on a film set in a shopping mall. It is about two Philadelphia S.W.A.T. team members must find shelter when they confront an ever-growing of zombies that have risen from the dead.
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HEROES OF "Dawn of the Dead (1978)"
Dawn of the Dead (1978)
CRITICS OF "Dawn of the Dead (1978)"
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Film4
Resource

September 24, 2007

This is both a fine straight-up horror and an archly sly comment on consumer society.
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Radio Times
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October 07, 2013

Cynical, devastating and relentless, director George A Romero's gruelling masterpiece about the American Dream turning into a terrifying nightmare is a brilliant blend of black comedy and hip, if harrowing, carnage.
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Washington Post
Resource

February 21, 2007

Between atrocities the movie has its funny moments and funny lines. It's just difficult to relish the humor when you're dripping in so much gore.
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eFilmCritic.com
Resource

July 29, 2007

Romero, who was his own editor this time out, keeps the scenes clipped and purposeful.
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Time Out
Resource

January 26, 2006

Undoubtedly the zombie movie to end 'em all.
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Total Film
Resource

October 14, 2014

George Romero's horrific sequel to Night Of The Living Dead finds the zombies still shuffling around Pittsburgh.
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Variety
Resource

October 07, 2008

Romero's script is banal when not incoherent.
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Cinefantastique
Resource

July 23, 2008

This sequel to Night of the Living Dead (1968) abandoned the shadowy black-and-white creepiness of its progenitor in favor of a brightly lit color canvas that was bigger, broader, and bloodier.
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Chicago Sun-Times
Resource

October 23, 2004

Dawn of the Dead is one of the best horror films ever made -- and, as an inescapable result, one of the most horrifying. It is gruesome, sickening, disgusting, violent, brutal and appalling.
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Projection Booth
Resource

October 29, 2007

Romero's framing of social ills via his rotting, walking metaphors is ingenious but it's the more subtle, unspoken statements that register with the greatest force.
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Chicago Reader
Resource

March 29, 2007

Romero's sensibility approaches the Swiftian in its wit, accuracy, excess, and profound misanthropy.
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New York Times

May 20, 2003

Perhaps horror-movie buffs will consider this an improvement.
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