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Demolition Man
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Demolition Man

Description
set in the year 2032, After 36 years of incarceration, cop John Spartan is defrosted to help track down old adversary Simon Phoenix but also must adapt to life living in the future.
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CREATORS OF "Demolition Man"
Demolition Man
CRITICS OF "Demolition Man"
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Empire Magazine
Resource

April 30, 2008

This futuristic comedy depends on your opinion of Stallone and his unapologetic popcorn-pleasing action no-brainers. To be fair, this one is one of his better ones.
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Groucho Reviews
Resource

September 05, 2011

Doesn't quite go far enough, instead settling for cheap gags and cheap thrills, but it tickles fairly well for a couple of hours of crashes and fireballs. [Blu-ray]
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Variety

April 30, 2008

A noisy, soulless, self-conscious pastiche that mixes elements of sci-fi, action-adventure and romance, then pours on a layer of comedy replete with Hollywood in-jokes.
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Film4
Resource

April 30, 2008

An inspired mix of high-octane action and futuristic satire.
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Time Out
Resource

January 26, 2006

Forget your preconceptions, but not your brain cells and sense of irony.
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Suite101.com
Resource

August 01, 2013

Not for nothing does the film open on a screen-filling image of the Hollywood sign in flames, for it torches almost every supposition that a film made to showcase Sylvester Stallone and Wesley Snipes whomping on each other can only be brain-dead.
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TIME Magazine
Resource

July 25, 2010

Ultimately the script's often sharp social satire is drowned out by the noise and confusion. It is also undercut by casting virtually all the psychopathically murderous criminals as minority-group members.
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Reel Film Reviews
Resource

August 13, 2011

...a sporadically amusing yet pervasively underwhelming bit of early '90s cheese...
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New York Times

May 20, 2003

Demolition Man is a significant artifact of our time or, at least, of this week.
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TV Guide
Resource

July 25, 2010

The pleasant surprise about Demolition Man is that both the script, and Stallone, are funny; the film blends big-budget action and tongue-in-cheek humor in the way that Last Action Hero tried, and failed, to do.
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Chicago Reader
Resource

April 30, 2008

Nearly all the SF premises are accorded the status of Andrew Dice Clay one-liners -- which means that they, along with the characters, keep changing from one scene to the next.
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Rolling Stone

May 12, 2001

Demolition Man is sleek and empty as well as brutal and pointless. It feels computer engineered, untouched by human hands. A real pod movie.
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