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Don't Say a Word
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Don't Say a Word

Description
In an attempt to restore the valuable jewels that have been stolen by two young guys, Patrice, a gang head, who does his best, in order to restore that jewels, kidnaps the daughter of a therapist named Nathan Cornard, in order to force him to take the password by which he will have the jewels from a disturbed Eliza.
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Don't Say a Word
CRITICS OF "Don't Say a Word"
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Kalamazoo Gazette
Resource

June 09, 2002

Michael Douglas has to use nearly every acting trick in his arsenal to distract us from a plot that's as flimsy and fragile as a house of cards.
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eFilmCritic.com
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March 19, 2003

This could have been a pretty tight little thriller if it weren't for the gaping, bleeding plot bulletholes.
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Village Voice

October 02, 2001

As an odyssey of paternal qualm, Fleder's forgettable thriller has a convincing edge, and Douglas remains unchallenged as Hollywood's most tremulous and disquieting dad-under-pressure.
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Cinema em Cena
Resource

May 30, 2002

O roteiro contém vários buracos colossais que tornam a trama ofensivamente inverossímil.
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CNN.com
Resource

October 01, 2001

A well-crafted thriller that breaks no new ground but is an exciting diversion with plausible twists of logic and an exciting climax.
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EmanuelLevy.Com
Resource

June 13, 2006

As generic as the title suggests, this routine psychological thriller about a yuppie shrink whose daughter is kidnapped can't be saved by Michael Douglas's screen presence.
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L.A. Weekly
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October 21, 2002

Fleder can only fling the camera about and indulge in some familiar screen sadism ... as he tries to squeeze a few thrills from material as desiccated as his leading man.
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RTÉ (Ireland)
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February 13, 2003

Rarely rises above the status of conventional thriller.
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Slate

September 28, 2001

A big, noisy mess, with a howler at its center.
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Window to the Movies
Resource

January 12, 2003

Generic thriller.
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ReelViews
Resource

October 04, 2001

In the place of consistent psychological tension, we are saddled with shoot-outs, chases, and fight scenes.
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Washington Post

September 28, 2001

It's a Hollywood movie, not a good movie.
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