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Don't Say a Word
Description
In an attempt to restore the valuable jewels that have been stolen by two young guys, Patrice, a gang head, who does his best, in order to restore that jewels, kidnaps the daughter of a therapist named Nathan Cornard, in order to force him to take the password by which he will have the jewels from a disturbed Eliza.
In an attempt to restore the valuable jewels that have been stolen by two young guys, Patrice, a gang head, who does his best, in order to restore that jewels, kidnaps the daughter of a therapist named Nathan Cornard, in order to force him to take the password by which he will have the jewels from a disturbed Eliza.
Actors:
Philip DeWilde,
Judy Sinclair,
Sam Montesano,
Michael Sercerchi,
Philip Williams,
Alex Campbell,
Lance Reddick
Philip DeWilde
10 July 1972, Toronto, Ontario, Canada
Judy Sinclair
Sam Montesano
Michael Sercerchi
Philip Williams
Alex Campbell
4 May 1984, Toronto, Ontario, Canada
Lance Reddick
1962, Baltimore, Maryland, USA
Country:
United States
Keywords:
#Brittany Murphy #Don't Say a Word #Gary Fleder #Michael Douglas #NPV Entertainment #Regency Enterprises #Sean Bean #Village Roadshow Pictures
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June 09, 2002
Michael Douglas has to use nearly every acting trick in his arsenal to distract us from a plot that's as flimsy and fragile as a house of cards.March 19, 2003
This could have been a pretty tight little thriller if it weren't for the gaping, bleeding plot bulletholes.
Village Voice
October 02, 2001
As an odyssey of paternal qualm, Fleder's forgettable thriller has a convincing edge, and Douglas remains unchallenged as Hollywood's most tremulous and disquieting dad-under-pressure.May 30, 2002
O roteiro contém vários buracos colossais que tornam a trama ofensivamente inverossímil.October 01, 2001
A well-crafted thriller that breaks no new ground but is an exciting diversion with plausible twists of logic and an exciting climax.June 13, 2006
As generic as the title suggests, this routine psychological thriller about a yuppie shrink whose daughter is kidnapped can't be saved by Michael Douglas's screen presence.October 21, 2002
Fleder can only fling the camera about and indulge in some familiar screen sadism ... as he tries to squeeze a few thrills from material as desiccated as his leading man.February 13, 2003
Rarely rises above the status of conventional thriller.
Slate
September 28, 2001
A big, noisy mess, with a howler at its center.January 12, 2003
Generic thriller.October 04, 2001
In the place of consistent psychological tension, we are saddled with shoot-outs, chases, and fight scenes.
Washington Post
September 28, 2001
It's a Hollywood movie, not a good movie.