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Dying Of The Light

Description
But when his protégé uncovers evidence that Lake';s nemesis, the terrorist Banir, has resurfaced, Lake goes rogue, embarking on a perilous, intercontinental mission to eliminate his sworn enemy.
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HEROES OF "Dying Of The Light"
Dying Of The Light
CRITICS OF "Dying Of The Light"
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Movie Talk
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January 11, 2015

Nicolas Cage wigs out again as an unhinged CIA agent in this espionage thriller, but this time it's his ragged prosthetic ear rather than his hairpiece that grabs the viewer's attention.
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The Film Stage
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March 02, 2016

It's a film full of Cage at his wide-eyed, extreme intensity, but many of the scenes seem to lose the process that made them.
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Variety
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December 05, 2014

A weirdly misshapen, fitfully intriguing depiction of one man's wayward quest for justice, plainly compromised in ways that only a director's cut could properly illuminate.
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Independent (UK)
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January 07, 2015

The plotting doesn't make much sense but Cage gives a typically flamboyant and uneven performance as the stubborn old agent.
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New York Times
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December 04, 2014

On a commercial level, "Dying of the Light" sometimes plays as just another high-concept vehicle for a comically overacting Mr. Cage. But Mr. Schrader's vision is strong enough to rage against the hackier calculations.
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Epoch Times
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May 22, 2016

It's just not that bad, especially compared to some of the recent gems in the Cage filmography. Frankly, it probably doesn't even crack the bottom 20.
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RogerEbert.com
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December 05, 2014

"Dying of the Light" is a shrill and bombastic slog, with an all-over-the-map collection of tones that never cohere into a credible or compelling vision.
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Movie Chambers
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February 27, 2015

Not much good to say except "Cage, Cage against the dying of the light." Apologies to Dylan Thomas.
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Los Angeles Times
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December 04, 2014

Cage's loop-di-loop performance, the movie's surviving asset, at least hints at the themes of institutional illness and mortal decline that must have fascinated Schrader.
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HeyUGuys
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January 16, 2015

despite all the formulaic flaws and re-workings of Schrader's original artistic vision, Cage steals the show.
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NPR
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December 05, 2014

The rushed and often inchoate execution means there's little in the film that gets the benefit of more than a moment's reflection.
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AV Club
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December 04, 2014

It plays out as a more or less conventional direct-to-video-style thriller, distinguished by a handful of subtexts and images that might have been developed in a different version, but here register as mere quirks.
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