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Freeway

Description
The movie follows Vanessa Lutz, a poor, illiterate teenage juvenile delinquent who is on the run from a social worker traveling to her grandmother's house and being hounded by a charming, but sadistic, serial killer/pedophile.
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DIRECTORS OF "Freeway"
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CREATORS OF "Freeway"
Freeway
CRITICS OF "Freeway"
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Palo Alto Weekly

May 14, 2003

Freeway somehow manages to be hip, imaginative and hilarious. Road film, comedy, prison drama and Oliver Stone's Natural Born Killers all rolled into one.
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Combustible Celluloid
Resource

January 28, 2011

[The] characters are crisp and fascinating, and the movie has a great anything-can-happen B-movie excitement feel to it.
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Globe and Mail

July 12, 2002

Cynical, stylish and witty.
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eFilmCritic.com

November 28, 2002

Shockingly dark and nasty take on the Red Riding Hood tale.
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San Francisco Chronicle
Resource

June 18, 2002

Rude in the way the truth is rude -- only funnier.
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EmanuelLevy.Com
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March 06, 2011

Darkly humorous, witty and nasty, Freeway is an original take on the Red Riding Hood fairytale, featuring a wonderful performance by the teenage Reese Witherspoon, before she became a star
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Time Out
Resource

January 26, 2006

There's not much edification in store, and [director] Bright cruises over some bumpy plot holes, but the teen's perspective does put a black comic spotlight on wider social hypocrisies.
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eFilmCritic.com
Resource

February 13, 2008

One of the most stubbornly original and electrifying films not only of 1996, but of the '90s, period.
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Los Angeles Times
Resource

February 14, 2001

It's too drawn-out, too talky and, at the most crucial moment, needlessly implausible, to sustain its humor and large dose of violence.
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TV Guide
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July 30, 2003

It's just the sort of thing Oliver Stone strove so hard to achieve in Natural Born Killers, and [writer/director Matthew] Bright pulls it off effortlessly.
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New York Times

May 20, 2003

Freeway glints here and there with dark humor amounting to a knowing wink that undercuts the cautionary tale at its heart and the seriousness of its graphic sociology.
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Chicago Sun-Times
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January 01, 2000

Like it or hate it (or both), you have to admire its skill, and the over-the-top virtuosity of Reese Witherspoon and Kiefer Sutherland.
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