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Goodbye to All That

Description
When Otto Wall finds himself thrust back into bachelorhood, he has to navigate the good, the bad, and the weird of the 30-something singles scene.
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CRITICS OF "Goodbye to All That"
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Movie Mezzanine
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December 18, 2014

MacLachlan's screenplay ultimately turns out to be as befuddled and as directionless as its protagonist.
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Cinemalogue.com
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January 09, 2015

Although its premise feels artificial, there's plenty of genuine poignancy beneath the surface of this bittersweet low-budget comedy.
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New York Magazine/Vulture
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December 19, 2014

The film's tone remains playful -- there are even some broad, laugh-out-loud moments involving a sex toy -- but poignant little moments sneak in, hinting at darker, more troubling themes.
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The Dissolve
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December 17, 2014

Goodbye To All That is mostly just a series of vignettes, detailing Otto's sexual misadventures. And even those don't amount to much.
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NPR
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December 18, 2014

Otto Wall, the protagonist of Goodbye to All That, is well-meaning, clumsy and a little dull. The movie embodies his character perfectly.
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The Film Stage
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June 06, 2016

It's frustrating when Goodbye to All That runs up against the guardrail, but I'm glad to report it never derails.
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Entertainment Weekly
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December 31, 2014

The movie's tone never quite evens out, but there are still sweet minor-key moments, and some good lines in all that.
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Blu-ray.com
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January 01, 2015

More amusing than funny, and while it's disjointed, it's sincere.
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New York Daily News
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December 18, 2014

Despite its flaws, the first feature from "Junebug" writer Angus MacLachlan is a heartfelt, bittersweet and often amusing portrait of early middle-age.
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Paste Magazine
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December 18, 2014

Goodbye to All That explores divorce in a low-key manner, but it lacks an emotional punch or clear sense of humor to carry it much beyond its repetitive series of sexual trysts.
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Los Angeles Times
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December 23, 2014

A charming supporting cast fails to invigorate "Goodbye to All That," a relentlessly flat seriocomic take on contemporary relationships marking the directorial debut of "Junebug" scribe Angus MacLachlan.
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RogerEbert.com
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December 17, 2014

There's a lot of good awkward fun to be had as the viewer simultaneously laughs at Otto's expense and hopefully commiserates a bit with him.
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