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House At The End Of The Street
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House At The End Of The Street

Description
Newly divorced Sarah and her daughter Elissa find the house of their dreams in a small, upscale, rural town. But when startling and unexplainable events begin to happen, Sarah and Elissa learn the town is in the shadows of a chilling secret.
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HEROES OF "House At The End Of The Street"
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CRITICS OF "House At The End Of The Street"
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Cinema Crazed
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June 20, 2013

Ninety minutes of melodrama for ten minutes of a very derivative surprise ending.
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TheHorrorShow
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August 26, 2015

A "sleepover night" horror movie made for young people who haven't seen many good horror movies.
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Village Voice
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September 22, 2012

Tonderai steers the story cleanly around its queasy hairpin turns, perversely toying with one of pop cinema's most cherished clichés: the audience's inculcated desire to side with the underdog.
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Georgia Straight
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February 15, 2013

A clunky, run-of-the-mill horror flick written by the same guy who penned last year's similarly themed disappointment, Dream House.
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TheWrap
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September 21, 2012

There are one or two clever plot twists that are subsequently followed up by a cavalcade of ridiculous, credibility-stretching ones.
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Critic's Notebook
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October 07, 2015

"House at the End of the Street" is so thoroughly unpredictable that it will even have you actively rooting for the villain and against the victims at one point.
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Time Out
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September 25, 2012

Shockingly uneventful, this horror film marks time until dropping its big, dumb reveal.
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Reel Film Reviews
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July 16, 2014

An uncommonly tedious effort...
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Los Angeles Times
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September 21, 2012

What could be so bad about a new Jennifer Lawrence movie that its distributor opts to keep it away from critics and release it with minimal ad support? Please, allow "House at the End of the Street" to answer that question.
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Quickflix
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November 25, 2013

It's made for - and presumably by - people who haven't ever seen a horror movie. What's even more frustrating is that its inherent ineptitude doesn't ever become entertaining in a "this is hilariously horrible" fashion.
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New York Times

September 22, 2012

A choppily edited, poorly timed mess with little continuity, overloaded with aural shocks in a desperate attempt to compensate for its minimal suspense.
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Entertainment Weekly
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September 21, 2012

This is the rare horror film so bad you almost wish it had turned into a good old connect-the-gory-dots slasher movie. The only mystery at work is how Lawrence's agent ever let her sign on.
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