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Immortal Beloved
Description
This biography chronicles the life and death of infamous classical composer Ludwig van Beethoven as well as his painful struggle with hearing loss. Beside all the work he is known for, the composer once wrote a famous love letter to a nameless beloved and the movie tries to find out who this beloved was.
This biography chronicles the life and death of infamous classical composer Ludwig van Beethoven as well as his painful struggle with hearing loss. Beside all the work he is known for, the composer once wrote a famous love letter to a nameless beloved and the movie tries to find out who this beloved was.
Actors:
Geno Lechner,
Hannes Flaschberger,
Claudia Solti,
Josef Kolínský,
Sandra Voe,
Matthew North,
Alexandra Pigg
Geno Lechner
1965, Germany
Hannes Flaschberger
Claudia Solti
Josef Kolínský
Sandra Voe
6 October 1936, Shetland Islands, Scotland, UK
Matthew North
Alexandra Pigg
1962, Knotty Ash, Liverpool, England, UK
Country:
United States, United Kingdom
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San Francisco Examiner
October 09, 2002
Haunting use of Beethoven's music.
Juicy Cerebellum
September 28, 2005
A little slow, but overall a good film.
Shadows on the Wall
November 08, 2004
completely nuts!
April 23, 2004
real coup is the perfect casting of consummate chameleon actor Gary Oldman as Beethoven.
November 16, 2014
Rose's Beethoven biopic is something of a Europudding, a stodgy concoction of clashing accents and performance styles.
Tooele Transcript-Bulletin (Utah)
September 12, 2002
Strains to evoke tortured artist agony, but instead just strains.
Mountain Xpress (Asheville, NC)
September 27, 2004
Imitation Ken Russell biopic lacking in power and a feel for the music.
August 30, 2002
Passionate and transfixing scereen biography of Ludwig van Beethoven.
December 12, 2006
I doubet whether Rose's speculative and overwroght chronicle of Beethoven will rekindle interest in the composer's life and work in the same way that Amadeus did for Mozart.
August 17, 2004
As writer and director, Bernard Rose must take full responsibility for the fictions masquerading as fact in his treatment of Beethoven's life and loves.