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In a Valley of Violence

Description
A mysterious drifter (Ethan Hawke) and his dog cut a path to Mexico and shoot anyone that gets between him and the border. His random act of violence soon drag a town of misfits and nitwits into the bloody crosshairs of revenge.
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CRITICS OF "In a Valley of Violence"
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IGN Movies
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November 09, 2016

Revenge hasn't been this sweet in a long time.
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El antepenúltimo mohicano
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January 23, 2017

A sincere letter of love from its director to the genre, perhaps less risky and hoarder than might be expected, but equally enjoyable. [Full review in Spanish]
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RogerEbert.com
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October 21, 2016

In a Valley of Violence does not take itself too seriously (a great asset), but it also takes itself just seriously enough that it's not empty snarky parody.
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New York Times
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October 20, 2016

Spiked with dryly funny exchanges and lovingly shot by Eric Robbins on 35-millimeter film, "In a Valley of Violence" nevertheless feels exasperatingly two-dimensional.
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Spokesman-Review (Washington)
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March 15, 2017

It seems that West's quirkiness involves no point at all, other than to create a familiar setting, throw a bunch of idiots together, and watch them act out their violent tendencies to somewhat predictable ends.
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TIME Magazine
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October 27, 2016

West, making his first foray into westerns, doesn't control the tone. Its somber, bone-dry gruffness crumbles to dust, only to be replaced by adolescent jokiness.
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Under the Radar
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December 15, 2016

Turning his recent slide into middle-aged paunch to his advantage, Travolta allows a glimmer of the charisma he wielded in Pulp Fiction to shine through.
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AV Club
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October 20, 2016

A by-the-numbers spaghetti Western that's kind of slow and uneventful-and the world has no shortage of those.
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Film Inquiry
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December 05, 2016

In a Valley of Violence is a fusion and modernization of old genres, particularly Spaghetti Western, and though not without flaws, it is mostly an entertaining thrill ride.
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Entertainment Weekly
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October 24, 2016

Announces itself as an unabashed B-movie from its pre-credits scene ... and never worries itself about being anything deeper than that.
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Los Angeles Times
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October 20, 2016

This smartly cast, vengeance-fueled oater proves mighty entertaining in its own right.
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