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Kurt Cobain: Montage Of Heck
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Kurt Cobain: Montage Of Heck

Description
An authorized documentary on the late musician Kurt Cobain, from his early days in Aberdeen, Washington to his success and downfall with the grunge band Nirvana.
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Kurt Cobain: Montage Of Heck
CRITICS OF "Kurt Cobain: Montage Of Heck"
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Kansas City Star
Resource

January 03, 2016

Morgen's movie is an eye-level, straight-on gaze at the soul that would turn rock music on its head when it was so desperately needed.
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The Walrus
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February 29, 2016

Montage of Heck isn't an investigation into its subject's death so much as an homage to his creativity and life force -- it's tender and sad.
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Washington Post
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January 03, 2016

On the subject of the life and death of Kurt Cobain there is still some work to be done, but Montage of Heck may be as close as we'll get to moving on.
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IGN Movies
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January 03, 2016

Montage of Heck is an insightful, moving mosaic that works to immerse you, for better or worse, inside Kurt Cobain's creative process and personal demons.
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Salon.com
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January 03, 2016

A masterful and often deeply moving portrait of a volatile American genius, a portrait that goes far beyond one man, one family and one rain-sodden small town.
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Flavorwire
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May 30, 2016

It's a rare profile that's about the person instead of the personality, the artist instead of the art.
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New Yorker
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January 04, 2016

We see-almost from the inside-the evolution of Cobain's sensitive brilliance and the art and destruction that it fed.
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The Film Stage
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February 22, 2016

Montage of Heck makes the tragic end of Cobain's life more heartbreaking through it's delicate retelling of his 27 years.
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The Atlantic
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January 03, 2016

Cobain's life has been chronicled in scores of books and documentaries, but Montage of Heck feels fresh in the scope of material it includes, the way it's presented, and the things it emphasizes.
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HitFix
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January 03, 2016

Montage of Heck is about the representation and self-representation of Kurt Cobain, a fascinating process for any figure whose entire fame was based on modes of self-representation.
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Newsday
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January 03, 2016

Morgen and his editors have simply done a remarkable job -- also an artful one -- in piecing together this residuum.
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AV Club
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January 03, 2016

Montage understands Cobain as an icon, but also as the mixed-up kid who got too famous too fast, and it seems content revealing, rather than reconciling, his contradictions.
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