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Madame Hyde [Sub: Eng]
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Madame Hyde [Sub: Eng]

Description
A teacher who has been disliked by her colleagues and her students develops a nocturnal alter ego after she is struck by lightning.
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HEROES OF "Madame Hyde [Sub: Eng]"
Madame Hyde [Sub: Eng]
CRITICS OF "Madame Hyde [Sub: Eng]"
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Cinema Scope
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February 21, 2018

In addition to often being quite funny, Serge Bozon's fifth feature and second consecutive Isabelle Huppert vehicle is an exemplary film about pedagogy...
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Paste Magazine
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May 01, 2018

There are problems with Mrs. Hyde that have nothing whatsoever to do with Bozon's puzzling creative choices, though for perspective's sake, the problems are dwarfed by the choices.
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NPR
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April 26, 2018

Mrs. Hyde has its keen moments, but it lacks a thesis. If it were a term paper, any conscientious teacher would send it back for a rewrite.
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Inside Horror
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November 14, 2017

I wanted to see the classic tale of hidden identity I was promised, not a retread of Stand and Deliver.
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New York Times
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April 26, 2018

Whenever the movie tries to say something insightful about racial integration - or education, or any number of issues - it backs off or bogs down. It's so tonally and ideologically unfocused that its ideas just slip away.
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Austin Chronicle
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May 24, 2018

Even though Mrs. Hyde loses the trees for the forest, any movie starring Huppert is radiant, and it should be evident that tossing in a special effect or a message will be superfluous.
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Village Voice
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April 27, 2018

The setup is laborious, but the payoff made me roar.
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MUBI
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April 26, 2018

A strange, ingenious film.
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AV Club
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April 24, 2018

Bozon...seems perversely committed to frustrating not just conventional audience expectations but also any hope whatsoever that one might have for narrative and/or thematic coherence.
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Vanity Fair
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April 26, 2018

Perhaps its greatest lesson isn't within the movie, but rather the fact of it: rather than revise a stale genre, burn it anew.
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RogerEbert.com
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April 27, 2018

Maybe it's only fitting that a Jekyll-and-Hyde tale would be of two minds. Unfortunately, neither of them is completely satisfying.
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New Yorker
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April 23, 2018

As in Stevenson's story, the unleashing of Marie's latent furies inevitably veers toward horror, infusing Bozon's sociological satire with bitter ironies about the forces of order and the uses of disorder.
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