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Pat Garrett & Billy the Kid
Description
Sheriff Pat Garrett is ordered by Governor Wallace to go after the outlaw Billy the Kid because the cattle businessmen want him caught. But the thing is, Billy the Kid is also the old friend of Pat Garrett.
Sheriff Pat Garrett is ordered by Governor Wallace to go after the outlaw Billy the Kid because the cattle businessmen want him caught. But the thing is, Billy the Kid is also the old friend of Pat Garrett.
Actors:
Jack Elam,
L.Q. Jones,
Emilio Fernández,
Don Levy,
Harry Dean Stanton,
Jack Dodson,
John Beck
Jack Elam
13 November 1920, Miami, Arizona, USA
L.Q. Jones
19 August 1927, Beaumont, Texas, USA
Emilio Fernández
26 March 1903, Hondo, Coahuila, Mexico
Don Levy
Harry Dean Stanton
14 July 1926, West Irvine, Kentucky, USA
Jack Dodson
16 May 1931, Pittsburgh, Pennsylvania, USA
John Beck
28 January 1943, Chicago, Illinois, USA
Country:
United States
Keywords:
#James Coburn #Kris Kristofferson #Pat Garrett & Billy the Kid #Richard Jaeckel #Sam Peckinpah
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August 30, 2006
The film is visually stunning, and Peckinpah makes great use of his Durango, Mexico, locations.
April 04, 2008
Bitter take take on the mythical Old West.
October 23, 2004
It's a movie that exists almost entirely on one note -- a low, melancholy one -- and achieves what I thought would have been impossible for him Peckinpah: he's boring.
March 10, 2003
Some Peckinpah devotees consider the film among his finest work, others regard it as, well, troubled. Fascinating, nonetheless.
August 10, 2015
Peckinpah's final word on a genre he helped define, and the greatest movie you almost never got a chance to see.
April 19, 2008
One of the best westerns of the 70s, if not all time.
Hollywood Reporter
February 23, 2006
A richer, more rewarding experience.
December 03, 2007
One of the most bittersweet films of Peckinpah's career.
September 10, 2010
Regardless of length, this is one of Peckinpah's most deeply-felt films, a true meeting of two like souls.
November 19, 2006
...it could've %u2014 should've %u2014 been [Peckinpah's] third or fourth masterpiece (that depends on who's doing the counting), and the movie he'd been building towards his entire career.
New York Times
May 09, 2005
The mushy pretensions of Pat Garrett and Billy the Kid suggest either that [Peckinpah] has begun to take talk about his genius too seriously (it can happen to the best) or that he has fallen in with bad company.
August 09, 2008
It's one of the great tragic true stories of the old wild West, the story of two outlaw friends ending up enemies as one turns over and becomes a lawman - expressly for the purpose of hunting down his friend.