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Picture Perfect
Description
Career-driven single woman Kate Mosley is trying to get ahead in her advertising job and discovers that her boss is more inclined to promote married people. So, in order to impress her boss, she pretends to be engaged to a man she has just met.
Career-driven single woman Kate Mosley is trying to get ahead in her advertising job and discovers that her boss is more inclined to promote married people. So, in order to impress her boss, she pretends to be engaged to a man she has just met.
Actors:
Jenna Stern,
Andrea Bendewald,
Bellina Logan,
Hélène Cardona,
Doug Easley,
Daryl Edwards,
Paul Cassell
Jenna Stern
23 September 1967, Los Angeles, California, USA
Andrea Bendewald
4 March 1970, New York City, New York, USA
Bellina Logan
28 September 1966, Los Angeles, California, USA
Hélène Cardona
Doug Easley
Daryl Edwards
Paul Cassell
16 September 1967, New York City, New York, USA
Country:
United States
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March 16, 2003
The main thing that makes it watchable are the performances of Jennifer Aniston, Jay Mohr and Kevin Bacon. The three make an interesting romantic triangle, despite numerous plot problems, such as the story is basically unbelievable.
Shadows on the Wall
July 11, 2004
enjoyable fluff
Rolling Stone
May 11, 2001
Aniston doesn't need dialogue to catch Kate's quicksilver moods. It's the sitcom lines, at the service of a contrived plot, that choke her.
Juicy Cerebellum
March 04, 2003
Not quite bad enough to call rancid, and that's the best I can say for it.
January 01, 2000
Aniston comes across like an imitation of a movie star instead of the real thing. She gets less attractive as the film goes on.
February 03, 2015
Tired '90s romcom filled with deception, sexual innuendo.
June 24, 2006
[Aniston] has the rare gift of getting you to root for her in the most trying of circumstances, a quality that will stand her in good stead when she progresses to better material.
June 25, 2004
Sure, the movie follows a basic romantic comedy formula, but it has a freshness about it, mainly because Aniston and Mohr make a sweet match.
USA Today
January 01, 2000
Insubstantial and oversweet, it still refreshes as a midsummer brain cooler.
May 22, 2003
The characters are one-dimensional and surprisingly shallow, the film is unpleasantly predictable, and the realism factor here is You've gotta be kidding.
New York Times
May 20, 2003
[Aniston] at her best can recall young Barbra Streisand in her What's Up, Doc? days.
January 01, 2000
There are times when a bad ending doesn't seriously damage a motion picture. This is not one of those.