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Piercing
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Piercing

Description
This story tells of a renewed horror we are experiencing through a man named Reid who decides to go on a business trip. That journey began, where instead of a bag full of clothes taking it with him, Reed had a toothbrush and several killers. Maybe a killing would be good enough for Reid to rid himself of his malicious motives and continue to be a good husband and father. In spite of all this, Reid gets more than he bargains with Jackie, that girl who is completely changing things in the hotel.
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Piercing
CRITICS OF "Piercing"
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The Mail on Sunday (UK)
Resource

February 18, 2019

Mia Wasikowska turns up and it seems the power games have only just begun. Nasty but stylishly executed.
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VODzilla.co
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February 22, 2019

A darkly comic giallo-esque romance, torturously literalising all the dynamics of S&M, while accommodating the persistence of trauma.
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New York Magazine/Vulture
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February 01, 2019

Piercing is an unnerving mix of loveliness and lunacy.
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Sunday Times (UK)
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February 18, 2019

Pesce presumably wants to give us an exquisite tease, but I found it a bit of a pain.
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RogerEbert.com
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February 01, 2019

Piercing is an unsuccessful provocation, and I didn't get anything out of it beyond a few wispy ideas about how we may never really understand what we want from each other.
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The Lens
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February 26, 2019

Undeniably striking from an aesthetic standpoint, but dragged down by repetitive, ultimately vacuous cat-and-mouse games.
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Guardian
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February 15, 2019

The dream-team pairing of Abbott and Wasikowska, two of the most interesting, subtle and risk-loving performers of their generation, is a huge compensation.
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Flickering Myth
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February 21, 2019

Darkly funny, but still unapologetically grim, this plays very much like a modern version of Takashi Miike's iconic 1999 film Audition, only with a lot less of a brutal finale.
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Tribune News Service
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January 31, 2019

What a deliciously demented and disturbing drama Nicolas Pesce's "Piercing" is, dripping with gore and laden with forbidden innuendo.
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The Skinny
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February 20, 2019

A darkly funny and consistently unsettling two-hander that explores S&M with a beguilingly light touch.
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New Yorker
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February 04, 2019

For every clever twist, there's a dead giveaway; the movie's high-style décor is more alluring than the drama.
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Los Angeles Times
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January 31, 2019

Pesce deploys a potent arsenal of stylistic tools - urban landscape miniatures, plushly disquieting Lynchian interiors, flashbacks, creature effects, and florid gore - to tell the story of Reed.
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