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Psycho (1998)
Description
Hoping for a fresh start with her broke boyfriend, Marion steals a huge sum from her boss and skips town, eventually stopping at a remote motel. Unluckily, the hotel is run by an insane killer named Norman Bates.
Hoping for a fresh start with her broke boyfriend, Marion steals a huge sum from her boss and skips town, eventually stopping at a remote motel. Unluckily, the hotel is run by an insane killer named Norman Bates.
Actors:
Flea,
Ken Jenkins,
Marjorie Lovett,
O.B. Babbs,
Rita Wilson,
Anne Haney,
Rose Marie
Flea
16 October 1962, Melbourne, Victoria, Australia
Ken Jenkins
28 August 1940, Dayton, Ohio, USA
Marjorie Lovett
4 October 1932, Long Branch, New Jersey, USA
O.B. Babbs
1969, Oregon, USA
Rita Wilson
26 October 1956, Los Angeles, California, USA
Anne Haney
4 March 1934, Memphis, Tennessee, USA
Rose Marie
15 August 1923, New York City, New York, USA
Country:
United States
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Flea
16 October 1962, Melbourne, Victoria, Australia
Ken Jenkins
28 August 1940, Dayton, Ohio, USA
Marjorie Lovett
4 October 1932, Long Branch, New Jersey, USA
O.B. Babbs
1969, Oregon, USA
Rita Wilson
26 October 1956, Los Angeles, California, USA
Anne Haney
4 March 1934, Memphis, Tennessee, USA
Show More
Emanuel Levy
August 07, 2012
A futile, soulless shot-by-shot remake of Hitchcock's masterpiece.
April 25, 2013
failed project
Philip Wuntch
January 01, 2000
The film is polished when it should be edgy and impersonal when it should be seductive.
August 21, 2009
Already my mother and I mourn the day when some AVID editor will dare to digitally tweak Vertigo, spinning it into a virtual romantic comedy starring computer-directed replicas of Tom Hanks and Meg Ryan.
Bob Fenster
January 01, 2000
A lot less scary!
October 23, 2013
The cast is fantastic, sure, but they're wasted in a sea of redundancy.
March 26, 2009
Contains nothing to outrage or offend partisans of the original, yet neither does it stand to add much to their appreciation.
December 01, 2012
What Van Sant's film does, tremendously well, is make the material foreign again.
Stephen Hunter
January 01, 2000
Van Sant has cranked up the realism about 20 points, but somehow what he achieves for the effort is a larger sense of banality!
Anton Bitel
October 22, 2012
a true labour of love, an homage in such deliriously infatuated thrall to its inspiration that it seems more arthouse folly than studio cashcow - or, to cite the psychiatrist near the end of Psycho, "these were crimes of passion, not profit."
February 09, 2006
Hitchcock probably wouldn't tell this story if he was making films today, and he certainly wouldn't tell it this way, with internal 'voices', back projection, minimal nudity and violence.
Janet Maslin
January 01, 2000
It remains the most structurally elegant and sneakily playful of thrillers!