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Storytelling
Description
College and high school serve as the backdrop for two separate stories about cruelty, deception, storytelling, and other people's suffering that are unrelated and have different actors, titled 'Fiction' and 'Non-Fiction'.
College and high school serve as the backdrop for two separate stories about cruelty, deception, storytelling, and other people's suffering that are unrelated and have different actors, titled 'Fiction' and 'Non-Fiction'.
Actors:
John Goodman,
Noah Fleiss,
Julie Hagerty,
Pat Kiernan,
Steve Railsback,
Mark Webber,
Tina Holmes
John Goodman
20 June 1952, St. Louis, Missouri, USA
Noah Fleiss
16 April 1984, White Plains, New York, USA
Julie Hagerty
15 June 1955, Cincinnati, Ohio, USA
Pat Kiernan
1968, Canada
Steve Railsback
16 November 1945, Dallas, Texas, USA
Mark Webber
19 July 1980, Minneapolis, Minnesota, USA
Tina Holmes
1973, New York City, New York, USA
Country:
United States
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November 07, 2002
In a scabrous follow-up to Happiness, Todd Solondz once again crafts a movie easier to admire than it is to like.
August 26, 2009
Todd Solondz is a white Spike Lee.
February 15, 2002
In his latest effort, Storytelling, Solondz has finally made a movie that isn't just offensive -- it also happens to be good.
October 13, 2002
It's never less than interesting, that's for sure, but I didn't like it.
Washington Post
February 08, 2002
Solondz is without doubt an artist of uncompromising vision, but that vision is beginning to feel, if not morally bankrupt, at least terribly monotonous.
December 19, 2010
While Solondz tries and tries hard, Storytelling fails to provide much more insight than the inside column of a torn book jacket.
March 13, 2002
Despite [Solondz's] undeniable talent, however manipulative, his stories are too sour and mean-spirited for my taste.
August 21, 2009
Solondz has finally brought his critics into the frame, if only in an attempt to subject them to the same torture as everyone else.
Seattle Times
February 08, 2002
A frustrating experience, made more so by the seemingly self-referential moments in the film.
February 10, 2007
The film is marked by the same darkly humorous sensibility of rest of Solondz's work, excpet that the novelty is gone and the acerbic vision is now contained in a fractured text marred by poor storytelling and shifting tone--it's not easy to shock anymore
Houston Chronicle
February 24, 2002
That Storytelling has value cannot be denied. Not even Solondz's thirst for controversy, sketchy characters and immature provocations can fully succeed at cheapening it.
February 08, 2002
Sometimes seems less like storytelling than something the otherwise compelling director needed to get off his chest.