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Super Fly
Description
Starring Ron O'Neal, a New York drug dealer plans a scheme that would make him opt out from the game and live large but things take a different turn forcing him to work with corrupt cops.
Starring Ron O'Neal, a New York drug dealer plans a scheme that would make him opt out from the game and live large but things take a different turn forcing him to work with corrupt cops.
Actors:
Alex Stevens,
Sig Shore,
Harry Manson,
Alexander Williams-Green,
John Williams,
Fred Ottaviano,
James G. Richardson
Alex Stevens
6 January 1936, Hartford, Connecticut, USA
Sig Shore
13 May 1919, East Harlem, Manhattan, New York City, New York, USA
Harry Manson
Alexander Williams-Green
John Williams
Fred Ottaviano
James G. Richardson
22 August 1945, Gainesville, Florida, USA
Country:
United States
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March 10, 2003
Curtis Mayfield's sizzling score may be the most enduringly superfly aspect of this blaxploitation classic.
Filmcritic.com
June 15, 2004
Drug dealer, big score, wants to get out of the biz. Yawn.
Hollywood Reporter
February 05, 2004
Super Fly, one of the most significant blaxploitation films ever made, is as fascinatingly entertaining as it is ethically wrongheaded.
Countingdown.com
August 09, 2002
Classic blaxlpoitation film is still one of the best to come out of the genre. O'Neal gives a fine (but always funky) performance in one of the last movies before the genre ate itself and became self-parody. Terrific soudtrack.January 01, 2000
Gordon Parks Jr. was one of the greatest casualties of the collapse of blaxploitation cinema, a director with a distinctive, tightly packed visual style nd a remarkably bitter vision for this supposedly escapist genre.June 08, 2006
Probably the best film of the blaxploitation experience.June 24, 2006
One of the most successful of the early '70s blaxploitation cycle.
Commercial Appeal (Memphis, TN)
February 02, 2004
O'Neal functioned as a suave but deadly post-Poitier antihero for an increasingly militant urban audience...October 26, 2012
...about the dead-end despair of ghetto life, where the false independence of a criminal enterprise is really just another form of enslavement.May 24, 2003
The likes of 'Pusherman' and 'Freddie's Dead' provide the film with heart and depth that would otherwise be absent.
New York Times
May 09, 2005
A very good movie.March 13, 2007
The moral ambiguity of the film may disturb some viewers, but the film smacks of realistic grit throughout.