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The Art of Getting By
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The Art of Getting By

Description
George (Freddie Highmore) is a senior at a posh Manhattan prep school, but his disaffected attitude leaves little room for toeing the line. He then is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
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7M Pictures
Resource

December 13, 2011

This film tries to be a rallying cry for the disenfranchised youth of today. Not being a disenfranchised youth of today, it was mostly lost on me.
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We Got This Covered
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March 02, 2013

Excellent performances by Freddie Highmore and Emma Roberts make this one an enjoyable watch.
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Newark Star-Ledger
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June 17, 2011

A dull yet extremely self-important drama about rich, badly parented kids who feel sorry for themselves.
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Flick Filosopher
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September 13, 2011

None of this first feature from writer-director Gavin Wiesen rings true, and most of it is preposterous and self-conscious.
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Washington Post
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June 17, 2011

For anyone not in a similar state of age-related solipsism - i.e., anyone outside the 16- to 25-year-old age bracket - this is more than a little annoying.
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Philadelphia Weekly

May 03, 2015

Pathetic. Nothing but an over-privileged filmmaker mining his prep school diaries for narcissistic roleplay.
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Globe and Mail
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June 17, 2011

The vapidity of The Art of Getting By goes beyond the anthill-sized dramatic stakes. The dialogue, while occasionally epigrammatic, is tone-deaf to individual speech rhythms.
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Tribune News Service
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January 04, 2013

Gets by. Barely.
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New York Daily News
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June 17, 2011

There are several lessons to be learned in "The Art of Getting By," though all arrive too late to save this well-meaning but dreadfully executed movie.
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Movie Metropolis
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December 29, 2011

An easygoing film that's not as quirky as it wants to be and does just enough to make you glad you watched.
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Detroit News
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June 17, 2011

The Art of Getting By wants to be sweet and insightful, but ends up scattered and slight.
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Seattle Times

June 17, 2011

Though Highmore and Roberts are appealing performers, Wiesen never gives us much reason to care about them.
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