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The Birth of a Nation (2016)
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The Birth of a Nation (2016)

Description
In the summer of 1831, Nat Turner’s slave insurrection ripped through Southampton County, Virginia, leaving scores of white men, women, and children dead. Nat orchestrates an uprising in the hopes of leading his people to freedom after witnessing countless atrocities, against himself and his fellow slaves.
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Sensacine
Resource

February 13, 2017

A movie made of patches, fragments of other films about southern black slaves, cruel torture scenes, endless humiliations, outraged adolescents and animalized children. [Full review in Spanish]
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Film Inquiry
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February 19, 2017

Jam-packed with debatable arguments, themes, and imagery, The Birth Of A Nation is sure to stir up an emotion - but in an overloaded fashion.
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Village Voice
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October 07, 2016

If you forgive him enough to see it, The Birth of a Nation offers a troubling tangle of the personal and historical. But above all else it's commercial, an entertainment of purpose and some power.
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Independent Online (South Africa)
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January 20, 2017

If you can manage it, you will see that the film is rich with thought-provoking imagery.
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Washington Post
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October 07, 2016

The Birth of a Nation is a flawed but fairly compelling chapter of the American story that powerfully resonates with how that story is playing out today.
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rec.arts.movies.reviews
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April 23, 2017

Nate Parker might well be the next big thing... if he's ever given the chance to work in Hollywood again.
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The Atlantic
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October 17, 2016

Parker's film is at its best when he presents his harrowing story straightforwardly.
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El Pais (Spain)
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February 17, 2017

A revenge maybe just, but unidirectional, in the form of a movie. [Full review in Spanish]
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Christian Science Monitor
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October 07, 2016

The highly charged arena into which this film about America's bloodiest slave revolt arrives gives it a cachet that, in artistic if not sociological terms, it does not really merit.
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El Mundo (Spain)
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February 16, 2017

Dramatically shocking, it resorts to a bloody hyperrealism that can be understood as documentary rigor but also as an effective and simplistic manipulative mechanism. [Full review in Spanish]
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New Yorker
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October 10, 2016

A seriously damaged and inadequate movie ... its defects reveal traits of character-arrogance, vanity, and self-importance-that exert an unfortunately strong influence on Parker's directorial choices.
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MTV
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October 07, 2016

What if the way to honor Nat Turner is to pay attention to artists who aren't shackled by the Academy's limited definition of what a black Best Picture winner is allowed to discuss?
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