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The Blind Swordsman: Zatoichi
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The Blind Swordsman: Zatoichi

Description
Blind traveler Zatoichi (Beat Takeshi) is a master swordsman and a masseur with a fondness for gambling on dice games. When coming to a town in control of warring gangs, bunking with a farming family, he meets two women with their own agenda.
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CRITICS OF "The Blind Swordsman: Zatoichi"
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Cinema Crazed
Resource

April 29, 2009

Beat Takeshi's take on the Zatoichi storyline is very entertaining and continuously original...
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Movie Views
Resource

September 27, 2009

Violent and bloody, carefully choreographed and filled with dry humor, Takeshi Kitano's modern take on the classic Japanese character is a unique vision that's told with confidence.
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Time Out
Resource

February 09, 2006

However improbably, Kitano pulls it off quite gloriously. Admittedly, this isn't one of his most idiosyncratic, innovative or, indeed, satisfying works, but it's without doubt fast, funny, fabulous to behold.
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Arizona Republic

September 30, 2004

For those unfamiliar with such films, Zatoichi might be a little off-putting. But given a chance, the movie can be pretty entertaining.
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Common Sense Media

December 28, 2010

This non-traditional samurai movie isn't for kids.
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Associated Press

May 27, 2011

The Blind Swordsman: Zatoichi begins life as a straight-up samurai movie, evolves into a slapstick comedy and ends as a rousing, tap-dancing musical.
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Movie Metropolis
Resource

September 22, 2009

Zatoichi is a bloody film that also manages to be beautiful and funny.
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Orlando Sentinel

August 27, 2004

This isn't arty violence, just violence, and pretty pedestrian for a samurai picture.
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Cinema Signals
Resource

September 17, 2009

Three-frame cuts of the action from multiple camera angles, hose-spurted blood and superimposed wounds do what they can in their primitive way to get you past the problem of improbability.
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Newsweek
Resource

November 01, 2007

Zatoichi is a mix-and-match crowd-pleaser that shouldn't add up, but delightfully does.
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Miami Herald

August 20, 2004

This is a wonderfully odd movie, proof that an artist can leave his personal stamp on any film, no matter the genre.
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