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The Darkest Hour
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The Darkest Hour

Description
The Darkest Hour follows five young people who find themselves stranded in Moscow, fighting to lead the charge against an alien race who have attacked Earth via our power supply.
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DIRECTORS OF "The Darkest Hour"
The Darkest Hour
CRITICS OF "The Darkest Hour"
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Screenwize
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April 03, 2012

Uninspiring and insipid, this contemporary take on the zombie genre sees a group of gorgeous twenty somethings trapped in Moscow trying desperately to get away from an endless attack launched by nasty id-like blobs of energy.
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CraveOnline
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August 22, 2012

Just dumb enough to feel like the product of intelligent grown ups who wanted to make something they'd have dug as widdle kids.
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AV Club
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December 28, 2011

Not since Mark Wahlberg trembled in fear beside a menacing houseplant in The Happening has a film tried to provoke terror with such an unlikely object of menace.
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The Popcorn Junkie
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March 08, 2012

So bad that Russian and American relations may break down and reignite the Cold War.
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TheWrap
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December 27, 2011

If these dimwits represent the hope of humanity, bring on the alien overlords.
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Tribune News Service
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December 31, 2012

Did Olivia Thirlby and Emile Hirsch make this so they could visit Russia on somebody else's dime?
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Time Out
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January 10, 2012

There's literally nothing here that works: the SFX are limp, the acting is dire and director Chris Gorak seems to be fighting a losing battle with the concept of narrative logic.
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7M Pictures
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April 18, 2012

It's true mindless trash, but it's fun mindless trash... I'm not ashamed to say I would watch a sequel.
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Boston Globe
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December 27, 2011

"Darkest Hour'' doesn't have even as much character as those Discover commercials.
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CNNRadio
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April 18, 2012

Once again it's time for the end of the world. But, "The Darkest Hour" fails to see the light and we're stuck with yet another mediocre sci-fi movie.
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Entertainment Weekly
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December 28, 2011

It's clear from early on that these characters are as indistinct and lazily rendered as the floating blobs chasing them.
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Los Angeles Times
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December 27, 2011

What's the point of going all the way to Moscow if the shots you come back with end up looking like cheap green-screen process work?
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