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The Debt (2016)
Description
Set against the backdrop of an international finance deal with profound social implications, the film is an intense political drama which explores how far people will go to get what they want.
Set against the backdrop of an international finance deal with profound social implications, the film is an intense political drama which explores how far people will go to get what they want.
Actors:
Bruno Odar,
Jesús Aranda,
Nidia Bermejo,
Denizhan Akbaba,
Magali Bolívar,
Gabriela Bilotti,
Delfina Paredes
Bruno Odar
1 November 1965
Jesús Aranda
Nidia Bermejo
Denizhan Akbaba
September 3, 2001 in Istanbul, Turkey
Magali Bolívar
Gabriela Bilotti
Delfina Paredes
16 August 1944, Mollendo, Arequipa, Peru
Director:
Barney Elliott
Barney Elliott
Country:
United States, Euro
Keywords:
#Barney Elliott #Brooke Langton #David Strathairn #Oliver's Dea #Stephen Dorff #The Debt (2016)
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March 28, 2016
A movie filled with great ideas. [Full review in Spanish]
July 07, 2016
Barney Elliott's The Debt deals in murky ethics and exploitation in this well-acted trio of connecting stories set in Peru.
June 24, 2016
Despite its best efforts to be thought-provoking, the film is dramatically inert, slow and its revelations aren't all that politically illuminating, relying on coincidence and worn tropes to obfuscate its lack of ingenuity.
June 24, 2016
A timely contemporary mystery with top-notch performances!
July 08, 2016
Well-meaning but contrived ...
July 08, 2016
The result is well meaning, well shot (especially the rural scenes) and well acted (you can't go wrong with David Strathairn), but ultimately a dramatic disappointment.
July 07, 2016
Toggling between the breathtaking Peruvian highlands and the busy clamor of Lima, "The Debt" places three very different lives on a collision course freighted with moral and financial complexity.
July 06, 2016
[Director] Elliott clearly cares about the exploitation of Latin American resources by rapacious foreign corporations, but his characters are one-dimensional mouthpieces for whatever point he wants to make in a given scene.