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The End Of Violence
Description
Movie producer Mike Max meditates on the paranoia of fear of attack, in the movie business and life in general, as his wife Page announces she is leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for disappearance of Max which is led by detective Doc Block.
Movie producer Mike Max meditates on the paranoia of fear of attack, in the movie business and life in general, as his wife Page announces she is leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for disappearance of Max which is led by detective Doc Block.
Actors:
Mark Hardisty,
Loren Dean,
Ulysses Cuadra,
Enrique Castillo,
Mili Avital,
Henry Silva,
Frederic Forrest
Mark Hardisty
Loren Dean
31 July 1969, Las Vegas, Nevada, USA
Ulysses Cuadra
Enrique Castillo
10 December 1949, Calexico, California, USA
Mili Avital
30 March 1972, Jerusalem, Israel
Henry Silva
15 September 1928, Brooklyn, New York, USA
Frederic Forrest
23 December 1936, Waxahachie, Texas, USA
Country:
United States
Keywords:
#Bill Pullman #CiBy 2000 #Kintop Pictures #Road Movies Filmproduktion #Rosalind Chao #The End of Violence #Traci Lind #Wim Wenders
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June 05, 2002
Wenders' observations and subtextual commentary about violence in American society are well-served by the nuances of Nicholas Klein's script.
January 05, 2009
A disjointed mess where a lot goes on but nothing happens.
Houston Chronicle
January 01, 2000
This goes on for two hours and two minutes. When I staggered out of the theater, I asked if Clinton was still president.
May 31, 2002
A trama principal se perde em um emaranhado de cenas que, rigorosamente, nada acrescentam ao filme.
January 01, 2000
A meandering mess, a plodding dud.
March 27, 2015
[Has] many potent moments.
Globe and Mail
July 12, 2002
A longwinded exercise in pretentious confusion.
Zap2it.com
September 28, 2005
Boring, incoherent and insultingly didactic. It's like Wenders has never been to America, never observed Americans and never even seen an American movie.
January 01, 2000
Offers viewers opportunities to ponder a variety of diverse subjects, but its overall entertainment value is less than one might hope for.
Shadows on the Wall
November 08, 2004
astonishing but uneven
USA Today
January 01, 2000
Skip the movie but buy the CD.
Salon.com
January 01, 2000
A muddled, sentimental Euro-American hash, redeemed here and there from its fatal purposelessness by a few moments that remind us we're in the presence of a genuine cinematic visionary.