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The Family Man
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The Family Man

Description
The film centers on fast-lane investment broker Jack who sees what could have been had he chose to stay with the woman he loves instead of career 13 years prior. He is torn between those two as he begins to feel strangely comfortable in this new role of loving husband and father to two children.
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CREATORS OF "The Family Man"
The Family Man
CRITICS OF "The Family Man"
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Seattle Post-Intelligencer

December 30, 2006

A hunk of sentimental fluff that boasts an often-overstated performance by Cage and an annoying turn by Leoni.
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Common Sense Media

December 28, 2010

Pleasant movie despite some predictability.
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Entertainment Weekly
Resource

December 22, 2000

The outsize ticky tackiness of Jack's new life has been stitched together out of the broadest possible series of middle American clichés.
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Supercala.com
Resource

December 31, 2005

I voted for the happy ending, thusly, my enjoyment was diminished.
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Washington Post
Resource

December 22, 2000

Too much of the movie is pure formula nonsense.
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Not Coming to a Theater Near You
Resource

May 25, 2012

Its emotional core makes it easy to appreciate as a classical (if not classic) entertainment.
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Time Out
Resource

January 26, 2006

It's rare that an American movie lets slip such a snobbish distaste for the humdrum lives of its blue-collar audience base, but of course it doesn't last.
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TheMovieReport.com
Resource

February 15, 2010

Ratner isn't a capable enough director to work the alchemy needed to make this cheese into gold.
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Toronto Star

December 22, 2000

It's the sort of steamroller seasonal entertainment calculated to make us average folks out here feel temporarily warm and happy about our averageness.
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Film4
Resource

September 19, 2008

Leoni is a revelation. Vibrant and gorgeous, she plays her role of the determined mother in love with teasing, salty charm, providing just enough grit to save the film from Ratner's slushy direction.
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Globe and Mail

March 22, 2002

A series of moments, sentimental and comic, that never do add up to a coherent fable.
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Detroit News

December 22, 2000

The absolute choices it forces on its hapless hero are far too mutually exclusive to be credible.
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