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The Handmaiden
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The Handmaiden

Description
The events of the film take place in the 30th-era Korea. A young girl Sookee is being accepted by a wealthy Japanese lady as a handmaiden. But it seems her role in a plot is to help con-man to flatter the lady and to bilk her out of her inheritance.
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HEROES OF "The Handmaiden"
The Handmaiden
CRITICS OF "The Handmaiden"
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Irish Independent
Resource

April 17, 2017

The Handmaiden is sensuous rather than lurid, an erotic thriller with a sense of humour and more than a few twists up its sleeve.
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Stream on Demand
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April 21, 2017

... the look of a lavish period drama, the elegance of an arthouse film, the complex plotting of an ingenious caper that only the movies could sustain, and the sex of a classy softcore picture.
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ReelViews
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November 01, 2016

Chan-wook Park's The Handmaiden is deliciously perverse, delightfully twisty, and unapologetically erotic.
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The Atlantic
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October 30, 2016

The Handmaiden is just pure cinema, a dizzying, disturbing fable of love and betrayal that piles on luxurious imagery, while never losing track of its story's human core.
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Irish Times
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April 26, 2017

The tricksy plot streamlines and improves the final messy section of the source novel, to tease and mislead even the most astute viewer.
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Detroit News
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November 11, 2016

Go see it. If you love cinema at all, go see it.
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Film Ireland Magazine
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April 21, 2017

If one wasn't swayed by Oldboy or [Chan-Wook's] underrated English-language debut Stoker, The Handmaiden may be the one to convince audiences of this remarkable talent.
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Chicago Sun-Times
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October 28, 2016

Park Chan-wook is a master of classy trash... There's artistry in his filmmaking, but also a lot of blood, plenty of sick humor and moments of sheer lunacy. The Handmaiden ranks among his best films yet.
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Daily Mail (UK)
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April 20, 2017

A twisty, twisted, psycho-sexual thriller, in which, for all its explicit content, nothing is quite as it appears.
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Philadelphia Inquirer
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November 01, 2016

Far too good to be watched in one sitting.
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New York Magazine/Vulture
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October 28, 2016

The surface is classical, while Park's perversity bubbles up from beneath.
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