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The Samaritan
Description
After many years in prison, Foley (Samuel L. Jackson) is finished with the grifter's life, but the son (Luke Kirby) of his former partner has an ingenious plan worth $8 million and he wants Foley in.
After many years in prison, Foley (Samuel L. Jackson) is finished with the grifter's life, but the son (Luke Kirby) of his former partner has an ingenious plan worth $8 million and he wants Foley in.
Actors:
Brian Stillar,
Chris Gibbs,
Harrison Smith,
Stephen Eric McIntyre,
Frank Moore,
Rob Archer,
Martha Burns
Brian Stillar
Chris Gibbs
Harrison Smith
Stephen Eric McIntyre
Frank Moore
1946, Bay-de-Verde, Newfoundland, Canada
Rob Archer
Martha Burns
Director:
David Weaver
David Weaver
Country:
International
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May 18, 2012
The experience of watching Samuel L. Jackson actually act is the only real pleasure to be gleaned from the movie.
May 28, 2012
What could have been an intriguing character study about redemption turns into an absurd series of eye-rolling plot twists that makes it impossible to take this mess seriously.
May 18, 2012
A scripted cliché: the ex-con who wants to go straight until the plot kicks in.
May 18, 2012
Even the spirited Ruth Negga can't lift this by-the-numbers neo-noir out of its dull parboiled rut.
May 18, 2012
"The Samaritan" proves that even Samuel L. Jackson can be boring.
July 26, 2013
The Samaritan benefits substantially from the inclusion of a shocking turn in the narrative at around the halfway point...
May 18, 2012
It's not honest with its people, or its plot. And the only ones it really cheats are audience members.
May 22, 2012
Director David Weaver and co-writer Elan Mastai's neo-noir script is just a shadow of the genre.
May 17, 2012
The haphazard feeling of the narrative deflates any real tension.
May 19, 2012
It packs its narrative with a succession of increasingly clichéd twists, one of which involves the sudden recognition that its main character, Foley (Samuel L. Jackson), is romantically involved with his own daughter.
New York Times
May 18, 2012
[Jackson's] doleful revenant is in almost every scene, and this hardworking actor seems to know that the film around him should be a light-footed caper instead of a grim noir with a side order of deviance.
May 17, 2012
Way too much psychosexual melodrama, portrayed in performances that range from utterly bored (Jackson) to embarrassingly broad (Kirby).