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The Taking of Pelham 123
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The Taking of Pelham 123

Description
Following the struggle of the police against saving the lives of the hijacked train in Manhattan, where four armed criminals under the leadership of Ryder, a dangerous gangster, who hijacked a subway, demanding about 10 million dollars within an hour, or they will begin to kill the passengers gradually.
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The Taking of Pelham 123
CRITICS OF "The Taking of Pelham 123"
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American Profile
Resource

September 29, 2011

Thunderous, metallic, ominous, screeching sound effects add to the sensory perception that you're watching a megaton monster barreling toward a dramatic showdown.
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At the Movies

June 15, 2009

Washington demonstrates his really remarkable ability to make us forget he's a movie star and completely believe he's a flawed but noble civil servant.
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Christian Science Monitor
Resource

June 12, 2009

Whereas the original, directed by Joseph Sargent, was essentially a well-oiled B movie, the new incarnation, directed by Tony Scott, is bristling with high-tech gimcrackery and over-the-top camera flourishes.
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Movie Metropolis
Resource

February 11, 2012

You're so busy enjoying the sound and picture quality that you're inclined to forgive the film's missteps.
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Time Out
Resource

July 31, 2009

'The Taking of Pelham 123' is not a bad film: it's ponderous and shallow, but always watchable. But what it crucially fails to do, especially in the light of its illustrious predecessor, is justify its own existence.
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ComingSoon.net
Resource

March 21, 2011

This sort of thing by design devolves into two guys talking on a phone, which if it's got any chance of working requires strong actors to bring their characters to life. Which is probably where Taking of Pelham 1 2 3 succeeds best.
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Minneapolis Star Tribune
Resource

June 12, 2009

Set in a nightmare New York City, the subway hostage thriller batters our nerves like a tom-tom.
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New Yorker
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June 15, 2009

Can a director be arrested for the attempted hijack of our emotions?
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Shared Darkness
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May 15, 2012

A professionally mounted genre exercise which tries to please both thriller and social drama crowds, and suffers mightily as a result.
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