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The Thirteenth Floor
Description
A computer scientist running a virtual reality simulation of 1937 becomes the primary suspect when his colleague and mentor is murdered.
A computer scientist running a virtual reality simulation of 1937 becomes the primary suspect when his colleague and mentor is murdered.
Actors:
Shiri Appleby,
Meghan Ivey,
Bob Clendenin,
Vivian Palermo,
Ernie Lively,
Tia Texada,
Brad William Henke
Shiri Appleby
7 December 1978, Los Angeles, California, USA
Meghan Ivey
Bob Clendenin
14 April 1964, Newark, Ohio, USA
Vivian Palermo
Ernie Lively
29 January 1947, Baltimore, Maryland, USA
Tia Texada
14 December 1971, Louisiana, USA
Brad William Henke
10 April 1966, Columbus, Nebraska, USA
Director:
Josef Rusnak
Josef Rusnak
Country:
United States
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September 16, 2001
The film starts strong presenting a captivating scenario, then somewhere in the second half dips into a sappy romance.
November 15, 2009
As cold and sterile as a piece of machinery.
Chicago Tribune
January 01, 2000
Thirteenth Floor tries to be complex but is merely confusing.
January 01, 2001
This movie is one of those good, thought-provoking, adult-oriented science fiction sleepers like "The Arrival," "Gattaca" or 'Dark City.'
Boston Globe
January 01, 2000
An overwrought but underwritten sci-fi item.
February 02, 2014
It's an effective noir thriller that keeps you, if not on the edge of your seat, at least curious about what might happen next.
Mr. Showbiz
January 01, 2000
Wildly uneven!
July 03, 2003
based on the Daniel Galouye book "Simulacron 3," first published in the 1960s. ...High-tech and hippie-dippy philosophies go together about as well as chocolate ice cream and brown mustard.
Variety
January 01, 2000
The makers of The Thirteenth Floor never figured out how to build a dramatically intriguing story around the concept!
Northwest Herald (Crystal Lake, IL)
May 30, 2003
Rehashes every Star Trek: The Next Generation episode where the holodeck goes haywire.
January 01, 2000
The fascinating and the mysterious become the silly and occasionally comical.
New York Post
January 01, 2000
Let down by some mediocre acting, pedestrian dialogue and slow pacing!