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The Time Machine (2002)
Description
Testing his theories with a time machine of his own invention, scientist and inventor Alexander Hartdegen travels 800,000 years into the future, where he finds humankind divided into two warring races.
Testing his theories with a time machine of his own invention, scientist and inventor Alexander Hartdegen travels 800,000 years into the future, where he finds humankind divided into two warring races.
Actors:
John Koyama,
Aaron Patrick Freeman,
Thomas Corey Robinson,
Yancey Arias,
Samantha Mumba,
Jacob Chambers,
Jeremy Fitzgerald
John Koyama
3 February 1973
Aaron Patrick Freeman
16 March 1971, Minneapolis, Minnesota, USA
Thomas Corey Robinson
Yancey Arias
27 June 1971, New York City, New York, USA
Samantha Mumba
18 January 1983, Dublin, Ireland
Jacob Chambers
Jeremy Fitzgerald
Director:
Simon Wells
Simon Wells
1961
Country:
United States
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April 06, 2006
Dishwater: 10, Wells: 0
April 29, 2009
A loud annoying movie with poor directing and plot holes galore...
Village Voice
March 12, 2002
If it's remembered at all, it will be as a time capsule of early-21st-century blockbuster cowardice and redundancy.
March 19, 2003
If I had a time machine that could take me back only four hours, I'd take my nine dollars, find the original movie at a video store, and spend the rest on an In N'Out Burger.
Arizona Republic
March 09, 2002
They gave The Time Machine a major overhaul and ended up with a clunker.
Common Sense Media
December 29, 2010
A good movie based on H.G. Wells' classic novel.
November 06, 2002
If H.G. Wells had a time machine and could take a look at his kin's reworked version, what would he say? 'It looks good, Sonny, but you missed the point.'
July 02, 2008
The Time Machine is harmless, if ineffectual fun.
L.A. Weekly
March 09, 2002
In the new film, it's personal tragedy that provokes the journey, not social upheaval or even scientific curiosity -- which, predictably, makes for a story that's at once more familiar and less interesting.
EmanuelLevy.Com
January 09, 2007
This remake of the 1960 sci-fi feature (based on Wells famous novel) fails to take advantage of the new technology to make the tale more effective.
Chicago Tribune
July 20, 2002
One of those staggeringly well-produced, joylessly extravagant pictures that keep whooshing you from one visual marvel to the next, hastily, emptily.
Washington Post
March 08, 2002
Amazingly stilted before accelerating into its exciting finish.