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The Tortured
Description
A young professional couple fall apart when their beloved son is lost by a murderer and then they uncover he is dead. They determine to find out the killer and revenge for their son.
A young professional couple fall apart when their beloved son is lost by a murderer and then they uncover he is dead. They determine to find out the killer and revenge for their son.
Actors:
Chelah Horsdal,
John Stewart,
Donita Dyer,
Aaron Pearl,
Sheila Shah,
Paul Herbert,
John R. Taylor
Chelah Horsdal
19 June 1973, Vancouver Island, British Columbia, Canada
John Stewart
Donita Dyer
Aaron Pearl
11 May 1972, Sechelt, British Columbia, Canada
Sheila Shah
23 October 1983
Paul Herbert
John R. Taylor
Director:
Robert Lieberman
Robert Lieberman
Country:
United States
Keywords:
#Bill Lippincott #Erika Christensen #Jesse Metcalfe #LightTower Entertainment #MP Productions #Robert Lieberman #The Tortured #Twisted Pictures
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May 23, 2012
No amount of plucked-off fingernails are going to fill this empty vessel with any semblance of a point.
June 19, 2012
The title is an apropos description of audiences who sit through this inept low-budget psychological thriller, which would be considered tasteless if it weren't so incompetent.
June 14, 2012
Ugh.
March 29, 2012
A serviceable genre entry that is, admittedly, destined to leave non-horror fans absolutely cold.
June 14, 2012
It's a revolting horror film that wastes the talents and good looks of Erika Christensen and Jesse Metcalfe in favor of severed penises and other violent atrocities performed on a kitchen table.
July 29, 2012
A stupendously inane and pointless slice of revenge-based horror whose title might as well describe the audience watching it.
June 15, 2012
Its clichés grow slightly funny. But not funny enough to make the endless torture scenes bearable.
June 09, 2012
Robert Lieberman's Perverted Justice advert spins its wheels with scene after scene impatiently cut like a montage sequence.
June 14, 2012
The torture-porn label would stick if wasn't so hard to imagine anyone getting much out of it.
May 24, 2012
It's an angry picture, but that dependable sense of rage doesn't carry through to the end. Instead, the effort dissolves into a strange genre predictability.
New York Times
June 14, 2012
[It] suggests only that ferreting out new ways to inflict pain requires more imagination than anyone on hand realized.
June 12, 2012
The flick gets off on surgical slicings and an overall Fincheresque gloominess, the latter becoming an unwitting joke.