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Thou Wast Mild and Lovely
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Thou Wast Mild and Lovely

Description
When Akin arrives at the farm, he finds his job. Bored and driven by sinister urges, Samantha, the daughter of his employer makes eyes at Aiken while he works the field; as he slips away to masturbate, images of her scowling presence flit through his consciousness. Therefore, Akin's  interactions with the father and daughter become awful.
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Thou Wast Mild and Lovely
CRITICS OF "Thou Wast Mild and Lovely"
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Commercial Appeal (Memphis, TN)
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November 24, 2014

Josephine Decker's dreamlike quasi-thriller of primitive psychology and goatish sexuality offers a setup that suggests 'The Postman Always Rings Twice' as filtered through Terrence Malick, but then proceeds at its own off-step pace.
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Screen International
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February 04, 2015

The film delivers an intriguing slant on rural-peril convention, even if it never completely remaps the old weird territory.
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AV Club
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November 13, 2014

Traub's Sarah is fascinating, with an almost feral sexuality that makes her the most crucial component of the movie.
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The Dissolve
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November 17, 2014

Its connections run shallow, and most of its action-particularly in the over-the-top third act-feels spectacularly unearned.
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Village Voice
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November 11, 2014

Our glimpses of what's already occurred and what will soon come are vivid and impressionistic, prophetic warnings about which everyone seems powerless to do anything other than silently observe.
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The Film Stage
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February 26, 2016

The things she puts onscreen make you fear what's to come and yet you find yourself craving it as much as the characters do.
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Hollywood Reporter
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February 04, 2015

It's not uninteresting but too self-consciously arty to rank Decker as a mature filmmaking voice.
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The Arts Desk
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February 04, 2015

Thou Wast Mild and Lovely is as horrible as it is beautiful and that's just grand.
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indieWire
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November 04, 2014

Decker concocts a wholly enveloping vision of isolation told with a grimly poetic style that wanders all over the place but never stops playing by its own eerie rulebook.
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Los Angeles Daily News
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February 03, 2015

Decker's Thou Wast Mild & Lovely is certainly unique, if a kinda sorta sex thriller made in a nature-lovin', oddly edited, narratively dithering Terrence Malick manner counts as unusual.
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New York Times
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November 13, 2014

Ms. Decker especially likes to cut away from a shot just as or before it catches an actor's glance (or catches our eye). It's a device that risks growing mannered.
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New Yorker
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November 04, 2014

Like most classic stories, this one is simple, but its realization is so surprising in its details, so original in its visual invention, as to make most other movies seem (at least temporarily) shot by the numbers.
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