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Tokyo Godfathers
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Tokyo Godfathers

Description
Middle-aged has-been Gin, aging transvestite Hana, and teenage runaway Miyuki are three homeless friends who have formed a kind of makeshift family structure. One night, they find an abandoned baby while searching for food in a garbage dump. Hana convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way.
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CRITICS OF "Tokyo Godfathers"
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Cinema em Cena

April 03, 2006

Depois do brilhante Millenium Actress, Kon conta uma história bem mais simples, mas igualmente tocante e mágica, brindando o público com uma belíssima animação de tirar o fôlego.
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Total Film
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December 09, 2013

A likeably larky Yuletide yarn.
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Chicago Reader
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February 17, 2012

Japanese animator Satoshi Kon has a striking sense of composition, but I'm more impressed by his storytelling skills.
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Film Threat
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December 06, 2005

It's a modern-day fable with a big heart...
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Variety
Resource

September 07, 2008

Takes anime to a whole new level.
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Vue Weekly (Edmonton, Canada)
Resource

February 09, 2016

Hana tends to swoon into stereotype, her theatricality and campiness infecting the other non-hetero characters here, with so many of them wailing or sobbing. The story's comedy and pathos can be similarly overwrought, too.
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Wall Street Journal
Resource

December 09, 2013

In one sense the plot involves returning stolen goods to a thief, but Tokyo Godfathers is really about longing -- for family, for children, for parents and for the lost past.
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Metro Times (Detroit, MI)
Resource

December 09, 2013

Tokyo Godfathers becomes a clever and well-written parody of Christ's nativity.
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Dallas Morning News
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March 25, 2004

One of the most moving, enjoyable and wholly unconventional Christmas stories to come along in a long time.
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Eye for Film
Resource

December 07, 2007

The score grates in places but the script hits the mark, with the potty-mouthed vagrants certain to be a hit with older children.
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AV Club
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December 09, 2013

No amount of shoehorned-in razzle-dazzle can keep this forced fable from feeling like a shadow of Kon's early work.
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Boston Globe
Resource

February 27, 2004

Demonstrates an idiosyncratic human touch. Kon is unafraid of the unseemly and unsightly.
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