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Welcome to Sarajevo
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Welcome to Sarajevo

Description
Based on the book 'Natasha's Story' by Michael Nicholson, the film follows a group of US and UK journalists, who go and report the Bosnian war in Sarajevo. There, they encounter and soon become impressed by dedicated woman who runs an orphanage to help 200 children during the war, ending up with devoting their entire life to support the orphanage and heal the war.
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Welcome to Sarajevo
CRITICS OF "Welcome to Sarajevo"
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Boxoffice Magazine
Resource

June 05, 2002

It's an extraordinarily affecting, personal, and at times uplifting tale.
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TheMovieReport.com
Resource

December 23, 2006

A documentary would have more powerfully captured the horror of the Bosnian conflict than this synthetic, if well-acted and -intentioned, drama.
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Chicago Sun-Times
Resource

January 01, 2000

Too often we sense that the actors are drifting and the story is at sea.
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Boston Phoenix
Resource

March 24, 2002

A blistering docudrama, as refreshing as it is horrifying.
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New York Times

January 01, 2000

However closely they mirror the real experience of Mr. Nicholson and others, some of the shocks here are too sadly predictable.
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The Moving Picture Show
Resource

July 19, 2014

By turns darkly comical and passionately angry
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Time Out
Resource

January 26, 2006

A crisp, rigorously unsentimental director, Winterbottom was a good choice for this project.
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New Times

June 17, 2004

Good set-up; less pay-off than I'd hoped.
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Salon.com
Resource

January 01, 2000

Messy and visceral, with an articulate, pointed anger that's recognizably British, "Welcome to Sarajevo" hits with an impact that's not diminished by the fact that Sarajevo's uneasy peace has held.
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Northwest Herald (Crystal Lake, IL)

June 18, 2002

Winterbottom takes a recent history the rest of the world already was beginning to forget and throws it into a sharp, human focus.
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San Francisco Chronicle
Resource

June 18, 2002

A compelling but jumbled film that examines the line between journalistic detachment and passion.
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USA Today

January 01, 2000

Loosely structured, it keeps its focus despite lots of dramatic wiggle room.
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