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Dead Alive
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Dead Alive

Description
A monkey bite turns the white-breaded, overbearing mother of a New Zealand youth into a flesh-eating zombie with the victims as dogs, nurses, friends, and neighbors.
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CREATORS OF "Dead Alive"
Dead Alive
CRITICS OF "Dead Alive"
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Slant Magazine
Resource

October 20, 2011

Lionsgate's visceral, albeit barebones Blu-ray package lets viewers really sink their teeth into Dead Alive.
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Radio Times
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October 19, 2016

This horrendously funny gross-out shocker from Lord of the Rings and King Kong director Peter Jackson is a brilliant black comedy and the ultimate gore movie.
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Variety

July 22, 2008

The best to date from Kiwi gore specialist Peter Jackson.
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EmanuelLevy.Com
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June 25, 2008

Originally released as Braindead, this gory, maccabre satire of 1950s New Zealand society is yet another proof that Peter Jackson is one of the sharpest, most skillful directors working in the genre; a good companion piece to Meet the Feebles.
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Time Out
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June 24, 2006

The finale, in which Lionel reduces a horde of flesh-eaters to a mulch of blood, flesh and offal with the aid of a flymo, is probably the goriest scene ever.
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Film4
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October 19, 2016

A plasmafest.
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Los Angeles Times
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October 19, 2016

After you see it, you want to race out of the theater and recommend it to your sickest friends right away.
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TV Guide
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October 19, 2016

Dead Alive represents the absolute zenith of director and co-writer Peter Jackson's comedy-horror style.
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New York Times
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May 20, 2003

Because all of this looks blatantly unreal, and because the timing of the shock effects is so haphazard, Dead Alive isn't especially scary or repulsive. Nor is it very funny.
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IGN DVD
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January 29, 2012

Takes a few views to really appreciate, but Peter Jackson's blood-splattered horror masterpiece is a gory good time.
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Chicago Reader
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October 19, 2016

Ordinarily I don't care for this kind of thing at all, but something must be said for Jackson's endless reserves of giddy energy, which are clearly meant to be silly.
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Entertainment Weekly
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February 12, 1993

Horror films used to be primordial spook shows, tapping midnight-dark fears. Now they tap bodily goo: rivers of blood, dripping limbs, eyeballs that go pop in the night.
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