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The Taking of Pelham 123
Description
Following the struggle of the police against saving the lives of the hijacked train in Manhattan, where four armed criminals under the leadership of Ryder, a dangerous gangster, who hijacked a subway, demanding about 10 million dollars within an hour, or they will begin to kill the passengers gradually.
Following the struggle of the police against saving the lives of the hijacked train in Manhattan, where four armed criminals under the leadership of Ryder, a dangerous gangster, who hijacked a subway, demanding about 10 million dollars within an hour, or they will begin to kill the passengers gradually.
Actors:
Mark Falvo,
David Stroebel,
Laurie Cole,
Jonathan Rau,
Justiin A. Davis,
Gary Basaraba,
Brad Lee Wind
Mark Falvo
David Stroebel
Laurie Cole
Jonathan Rau
Justiin A. Davis
Gary Basaraba
16 March 1959, Edmonton, Alberta, Canada
Brad Lee Wind
10 April 1968, Brooklyn, New York City, New York, USA
Country:
United States
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September 29, 2011
Thunderous, metallic, ominous, screeching sound effects add to the sensory perception that you're watching a megaton monster barreling toward a dramatic showdown.
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June 12, 2009
Whereas the original, directed by Joseph Sargent, was essentially a well-oiled B movie, the new incarnation, directed by Tony Scott, is bristling with high-tech gimcrackery and over-the-top camera flourishes.
February 11, 2012
You're so busy enjoying the sound and picture quality that you're inclined to forgive the film's missteps.
July 31, 2009
'The Taking of Pelham 123' is not a bad film: it's ponderous and shallow, but always watchable. But what it crucially fails to do, especially in the light of its illustrious predecessor, is justify its own existence.
March 21, 2011
This sort of thing by design devolves into two guys talking on a phone, which if it's got any chance of working requires strong actors to bring their characters to life. Which is probably where Taking of Pelham 1 2 3 succeeds best.
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Can a director be arrested for the attempted hijack of our emotions?
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A professionally mounted genre exercise which tries to please both thriller and social drama crowds, and suffers mightily as a result.